The Sinulog festival in Cebu is a famous celebration in this city. It is an annual festival held every third Sunday of January. It has become a tourists magnet which attracts visitors from all parts of the Philippines and even from the whole world. The festival features a street parade with participants in bright colored costumes dancing to the rhythm of drums, trumpets and native gongs.
Here are some images taken during our visit last January 2010.
The Sinulog contest is always held in Cebu City Sports Complex
SINULOG TODAY:
Since 1521, devotion to the Santo Niño has grown and has taken root in Philippine popular piety, particularly in the Visayas; pilgrims from different parts of Cebu and the rest of the Philippines make their yearly journey to the church to take part in the procession and festival. Starting in 1980, the Cebu City government organized the Sinulog Mardi Gras and eventually gave incentives to tribal dance groups. The first Sinulog parade was held in 1980, organized by Dávid Odilao, then Regional Director of the Ministry of Sports, and Youth Development. The parade was composed of students dressed in Moro costumes, dancing the Sinulog to the beating of drums.
The idea caught and thus, under the direction of the Cebu City Mayor Florentino Solon with the help of several influential Cebuanos, Odilao turned over the Sinulog project to the Cebu City Historical Committee under Kagawad Jesus Garcia. It was the task of the Committee to conceptualize the Sinulog festival and make it into a yearly event from then on.
In 1981 the following year, the concept of the Sinulog Parade was actualized, involving practically every sector in the Cebuano community. Marking its difference from another popular festival, the Ati-Atihan in Aklan, the Sinulog focuses not on the ritual itself but on the historical aspects of the dance, which, as it has been said, represents the link the country's embrace of Christian faith.
The Sinulog dance steps were believed to originate from Rajah Humabon's adviser, Baladhay. It was during Humabon's grief when Baladhay was driven sick. He then ordered his native tribe to bring Baladhay into a chapel where the Santo Niño was enthroned. Moments later, surprisingly, Baldhay was heard shouting and was found dancing with outmost alertness. Baladhay was questioned as to whether why was he awake and was shouting. Baladhay explained that he found a small child, pointing to the image of the Santo Niño, on top of him and trying to wake him up. He, at great astonishment, scared the child away by shouting but couldn't explain why he was dancing the movements of the river. Up to this day, the two-steps forward, and the one-step backward movement dance is still used by the Santo Niño devotees believing that it was the Santo Niño's choice to have Baladhay dance.
more Sinulog infos here